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From Architectural Acoustics to Acoustical Architecture Using Computer Simulation

机译:从建筑声学到声学建筑的计算机模拟

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摘要

Architectural acoustics design has in the past been based on simple design rules. However, with a growing complexity in architectural acoustics and the emergence of room acoustic simulation programmes with considerable potential, it is now possible to subjectively analyse and evaluate acoustic properties prior to the actual construction of a building. With the right tools applied, acoustic design can become an integral part of the architectural design process. The aim of this paper is to investigate the field of application that an acoustic simulation programme can have during an architectural acoustic design process and to set up a strategy to develop future programmes. The emphasis is put on the first three out of four phases in the working process of the architect and a case study is carried out in which each phase is represented by typical results ? as exemplified with reference to the design of Bagsvaerd Church by Jørn Utzon. The paper discusses the advantages and disadvantages of the programme in each phase compared to the works of architects not using acoustic simulation programmes. The conclusion of the paper points towards the need to apply the acoustic simulation programmes to the first phases in the architectural process and set out a reverse strategy for simulation programmes to do so - from developing acoustics from given spaces to developing spaces from given acoustics
机译:过去,建筑声学设计一直基于简单的设计规则。但是,随着建筑声学的复杂性不断提高以及具有巨大潜力的室内声学模拟程序的出现,现在有可能在实际建造建筑物之前主观分析和评估声学特性。使用正确的工具,声学设计可以成为建筑设计过程中不可或缺的一部分。本文的目的是研究声学模拟程序在建筑声学设计过程中可能具有的应用领域,并制定制定未来程序的策略。重点放在架构师工作过程的四个阶段中的前三个阶段,并进行案例研究,其中每个阶段都代表典型的结果?以JørnUtzon的Bagsvaerd教堂的设计为例。与不使用声学仿真程序的建筑师的作品相比,本文讨论了该程序在每个阶段的优缺点。本文的结论指出,有必要在建筑过程的第一阶段应用声学模拟程序,并提出一种相反的策略,使模拟程序这样做-从在给定空间中产生声音到从给定声音中产生空间。

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